Rungh has started a new series of archival reprints which will feature significant pieces of writing that are often overlooked, but which need to be revisited in order to better understand the context which connect Rungh’s past, present, and future.

Vol. 7 No. 4
Bleeding the Memory MembraneBy Chris Creighton-Kelly
Chris Creighton Kelly explores the various strategies which arts activists could utilize as they tried to change cultural institutions from inside and outside these same institutions in the 1990s.
Vol. 7 No. 1
Rushdie, Identity and InscriptionBy Gayatri Chakravorty Spivak
Gayatri Chakravorty Spivak’s catalogue essay for Jamelie Hassan’s 1990 show at the Dunlop Art Gallery in Regina, Saskatchewan, explores themes of identity, and censorship in the context of the controversies surrounding Salman Rushdie’s novel The Satanic Verses.
Vol. 7 No. 1
Reorganizing Orientalist ConstructionsBy Himani Bannerji
Himani Bannerji reflects upon 'identity' and more. This essay links to Rungh's Longing and Belonging: 1990’s South Asian Film and Video programming.
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Rungh Magazine

Vol. 10 No. 3